Contact Us

Use the form on the right to contact us.

We try to respond email within 24 hours.  We ar a small studio so if we are on site there may be a bit of a delay but email is usually faster then telephone. thank you for your patience!

 

As of March 4, 2017, we are having problems with this email link. Please Use your own email program to write to us at info@annwallace.com. Thanks for your patience!

Box 79341
Los Angeles, CO 90079

213-614-1757

Textiles for early twentieth century and Arts & Crafts decor. We've been sewing for over 20 years. Curtains, shades, bedding accessories and many more resources for those who admire vintage style.

AnnsStudio.jpg

Ann's Vintage Textile Blog

<a href="https://www.bloglovin.com/blog/19044579/?claim=wwkqq5ryqab">Follow my blog with Bloglovin</a>

I will blog once a month, approximately on the 15th

 

Adding Weight …to curtains! Not bodies!

ann wallace

Vintage Curtain Weight package

Vintage Curtain Weight package

Contemporary curtain chain

Contemporary curtain chain

Vintage curtain weights, some with fabric covering

Vintage curtain weights, some with fabric covering

Close up of vintage curtain weight

Close up of vintage curtain weight

My general recommendation is to let your draper decide what kind of weight is right. If you are sewing yourself, casual cafe curtains or unlined draperies need not be weighted. If you are making substantial draperies, you are probably pretty skilled and have your own opinion for will do what works best for your fabric and construction!

Contemporary curtain weight

Adding a bit of metal to the edge of fabrics is a very, very old technique. Heavy chain is added to theatrical curtains to help them fall properly - often so heavy that it is often inserted in to a canvas pocket and not directly to the drapery hem which it might tear. A heavy rod or “crash bar” is crucial to the working of a Roman shade, helping it drop easily and keeping it flat.

Weights are often added to very structured clothing, like men’s jackets, or to hems to keep them stable. Most of you know about the weights or chain that are sewn in to Queen Elizabeth's hems so that her skirts NEVER blow up, no matter how rough the winds. Coco Chanel famously sewed chain in to the hems of her classic jackets to make them hang properly and there is a wonderful discussion of this on the Courtauld Institute blog.

http://blog.courtauld.ac.uk/documentingfashion/2016/02/19/a-quick-preview-of-our-study-trip-in-new-york/

Still, I am a bit on the fence about weights in curtains. Mostly, I feel that simple unlined curtains should not be weighted. They are meant to flutter around in the breeze a bit. If the curtains are more than a fabric width wide or rather long, then weights can help the training process of getting those nice vertical folds and can help in places like the seams and vertical hems where the fabric may pull up a bit.

Otherwise I would leave the weights out. Linen particularly can stretch and a lighter weight linen (like handky weight) can end up longer at the weighted corners.

Weights come in singles, so to speak, and chain. They are lead and nowadays encased in vinyl or cord. Properly (and in the old days for fine sewing) they should be in muslin. Sometimes on line you see someone showing an old weight and wondering if it’s a weird kind of button. They should never however be on the exterior of a textile. They are LEAD after all.

Note: It’s possible to use other materials (like quarters or pennies) but they really don’t have the weight to be useful in my opinion.

I prefer individual weights to the chain. The modern lead chain is not very heavy and it can make a little lump or ridge at the hem. In this case, you may use chain of another material besides lead although it will probably have to be bulkier. For more substantial or interlined drapes this is not a problem.

 

 

 

 

 

 

 

 

 

 

What a Difference a Color Makes!

ann wallace

I'm always amazed at how different a design looks in a new color way. Part of the fun for us if our customers' ideas about colors. Look at these dragonflies....a design that seem to inspire a lot of creativity!

Purple, rose & antique gold

Blue, loden and antique gold

Blue, tangerine & gold

Rose, purple &amp; bright teal

Rose, purple & bright teal

Custom Work

ann wallace

Often we design a custom stencil for a customer and add it to our posted design library but just as frequently the work is so site specific that it's difficult so see how it could work in another location. Still, these pieces can be a design inspiration or just fun to look at!

This stencil was designed for a house in historic Riverside Illinois, one of the first planned communities in the US, planned by Frederick Law Olmstead - the designer of New York's Central Park. The design was based on the original R logo.

A custom applique border meant to coordinate with a Voysey wallpaper. This is a rather dense applique with triple top stitching in the leaves and we've thought too expensive to include in our stock designs!

A hand painted angel from the Voysey Angel Forest pattern on a roller shade. We also adapted some of the wallpaper foliage as a stencil pattern for the over drapes.

One of a series of landscape shades for a 19th century house in Texas. These painted shades were popular 100-150 years ago but can be expensive to produce as you are basically purchasing a series of original art.

A hand painted border of animal pirates for a children's room. These characters were inspired by a circa 1920's vintage fabric that the homeowner had found.

An original design for a couple of pillows for a rather elegant conservatory in Los Angeles. The pillows are stenciled, hand painted and picked out with machine stitching.